/home

/about Simon

my labels'
catalogues

/huh! Records

/huh!
Records Pt.2

/Joy Records

/Propeller Records'
History

/Propeller Singles

/Propeller 12"s

/Propeller Albums & CDs

/Propeller Sleeves

nz punk & post punk

/Blam Blam Blam

  /Screaming Meemees

/Screaming Meemees
a personal memoir

 /Where Are They

  /The Suburban Reptiles

/The Suburban Reptiles First Gig

/The Suburban Reptiles Go West

/The Suburban Reptiles Go South

/Notes of a Suburban Reptile

/It's Bigger Than Both of Us

/Class of 81

/AK79

 /The Zwines Family Tree

/Auckland Punk Bands

/Assorted Posters

other labels
& catalogues

/Ripper Records

/Pagan Records Singles

Auckland Clublife

/Auckland Club History

/Auckland Club History Part Two

/The Box

/ Cause Celebré

Lists and Obsessions

/A List of 12" Singles

/A List of 7" Singles

misc

/Alan Jansson

/An Elvis Costello Interview from 1998

/Mail Me

/Hemisphere Design

Part One: The 1980s

without whom...

These pages are dedicated respectfully to my old friend Phil Warren.....most people will never know how much he gave to the club and entertainment scene in our city. Rest in Peace.

And to my dear friend Riseti (Rose) Tanoi, with whom I spent many years on cold club doors enjoying the warmth of his humour, soul and common sense..you are sadly missed my friend.

And finally to Darren Dempsey & Karlos (with a K), a couple of scallywags who were very much a part of all of us.

 

This is a story about the beginnings of a revolution of sorts. In the 2000s Auckland is a city dominated by electronic music; by the cult of the dj; by dance music. It wasn't always so. This page has no real agenda except to name a few of the places that changed that. From the mid 80's onwards most of these clubs were pulling crowds in excess of 800 people a night every Friday and Saturday-far bigger than most clubs in Auckland now (although the number of clubs in Auckland is vastly larger). The onward movement staggered a bit with the onslaught of grunge in the late eighties and early nineties but it was always inevitable...

This is also about the thousands of kids (and older folk) who converged on these clubs from north, south, west, east and central Auckland, and made them their weekend homes. It became a large, ever changing, private club where everyone knew each other and regarded everyone else in the group as part of an extended family. It crossed racial boundaries, and was driven mostly by a passionate love of the music. This was illustrated by the funeral of 'one of ours', Darren Dempsey, at Auckland's Catholic Cathederal in the early part of the 2000s. The church was overflowing onto the street and the square around it, as the Auckland club massive turned up en-mass to pay it's respects.

This first page covers some of the early clubs (missing a couple that mattered, Quays and Zanzibar, primarily because I was in London at the time of the latter, leaving just after the former opened. I will, I promise get those in here at some stage). Over at page two I cover the late eighties clubs, and the last page covers Cause Celebre and The Box.

 

/The 80s Players (in alphabetical order)

Simon Grigg, Roger Perry, Mark Phillips, Tom Sampson, Peter Urlich

 

 

/The Key Supporting Cast

Riseti, Kevin Hewson, Selwyn, Neil James, Mike Haru (nee Stowers), Gerhard Pierard, Dirty Dave, Scruff, Mary-Ann Allen, Marie Jephson, Jonathan (48 Sonic) Stowers, Ralph-E-Boy and a cast of 1000s

 

A Certain Bar (1st floor, cnr Wellesley & Albert, 1981-82)

Where it all began for Auckland clublife as we know it now.

Peter Urlich, teenage rock'n'roll heart-throb, fresh from a trip to London, hanging out with The Cure and the like; and Rip It Up journalist and lad-around-town Mark Phillips opened this in a dingy upstairs bar in a rundown old pub on the corner of Wellesley and Albert Streets in mid 1981. Although the first few weeks were a little slow (this took a bit of getting used to for Auckland), with Tina, or Karen on the door (or myself at times) it was quickly the cutting edge of Auckland, which had seen nothing like it before. The giant ACB letters behind the rough and ready DJ booth were pinched and re-arranged from an ABC album display.

The music was new, fresh, and funky (quite a thing for a city emerging from the disco-punk street wars) and spun with humour by Mark, Peter, or, when the lads needed a refreshment break, me.

There was no dj gear as such so a guy called Moby was asked to make a rudimentary mixer and belt driven turntables were the devices used to play the 7" and 12" vinyl. The crowd ranged from fashion victims, to pop stars, to skinheads, to wannabes to has-beens, but it worked.

Forget anything else you might read (no it didn't start at Squid or Calibre, or even The Box), ACB was where club culture started in Auckland...everything else can draw a direct line from here and, many of the people who came to dominate and define Auckland over the next 25 years first appeared here.

Besides where else could could you wear a kilt and get away with it (and Steinlagers...back in the day when they were thought to be drinkable...were only 90c each). Within a month or two they had aligned themselves with two similar bars down country, Gerhard Pierard's Buffalo Bar in Palmerston North, and a similar one in Christchurch (the name of which escapes me) run by former Newtones guitarist, Tony Peake.

The revolution in clubland had begun.

The Six Month Club (situated where the Aotea Centre is now, 1985-6)

In Cook Street, Peter Urlich and Mark Phillips opened this place early in 1985. The room had been a, Phil Warren owned, live and cabaret venue since time immemorial (and hosted Phil's orange and purple vinyl upholstered office, which had to be seen to be believed...I first ventured in there in 1975 and was also gob-smacked by the pics on the wall with Phil and many of my icons) and continued that role early evenings even as the SMC operated. Underneath was the legendary (and much missed) Cook Street Markets...ironically operated by Brian Jones, who was a business partner to Charley Grey who'd managed Peter's old band, Th'Dudes. He was also the father of my late 70s flatmate, Sandra..Auckland was / is a very small town.

Although the venue was named the "Ace of Clubs", the club was so named because the building was due for demolition six months after the club was launched, for the massive civic renewal plan that the Auckland City Council had for mid town Auckland in the mid 1980s. It was a club on a timebomb..which was the slogan used in the advertising.

Originally Mark and Peter tried to show, a still provincial, Auckland, a little bit of sophistication, by spinning cool jazz tracks, but as we later found out at Celebre, the kids just wanna dance, and they soon reverted to dancefloor aimed funk and soul. I arrived back from two years in the UK with 300 records in late 1985, to find that they were still DJing off the tapes I’d been sending back for the past two years. I was hired as DJ that night and spent the next six months (the club lasted eight) spinning discs, to what was, probably Auckland’s first exposure to contemporary club culture, UK styled, with it's gritty NYC derived urban funk, rather than the pop-edged or crossover black music or indie that had dominated the previous few years.

You could, on any given night, find an assortment of minor Auckland celebs hanging around the DJ booth (which had it's up and down sides) and the queues outside before opening used to stretch down the road some way.

The dancefloor was divided between the stage and the cabaret dancefloor by curtains. At a certain point, an hour or so after opening, these were ritually pulled back, signaling that the night was in full swing.

Harry Ratbag (Club H's Harry The Bastard) was barman extraordinaire, when he could stand; the kids wondered who the grumpy old guy on the door was (Don, a millionaire and Phil’s partner); the labyrinth of rooms out the back hosted the unrepeatable; Dirty Dave leered at the female fashion victims out of the lighting booth and for a short, intense time, it was the epicentre of Auckland cool.

The closing down party was literally a demolition party and the crowds, after listening to a variety of bands, including an extended version of The Car Crash Set, with whom I sang a mutant (being kind to myself) version of Iggy's Nightclubbing, wrecked the building as they flowed out into Cook Street in the AM.

The Brat (51 Nelson St, currently the rooms below Toto, 1986)

We were at a bit of a loose end about what to do after the impending the demise of the Six Month Club, so we ran our new record label (Stimulant), sat around DKD drinking coffee, spent the afternoons at the Parnell Baths, and eventually the boys announced they’d found a new venue for a club, the sixties rock’n’roll refuge, "The Foundry", in Nelson St.

It was a venue with quite a history but had died over the previous few years and was in need of serious renovation. I was dragged in to handle the music again, and we spent the Christmas / New Year period fixing the place up (Mark almost lost an eye and spent New Years Eve in hospital), opening with a splash in February, 1986. We added huge video screens, build a dancefloor on the ground level and cleaned up the bars.

Perched high above the dancefloor we built a DJ booth stuck precariously on a concrete beam (it shook as the volume increased), The Brat was the first time we had proper turntables and made an attempt to mix. The PA system, courtesy of Oceania Audio, was the biggest ever seen in a club in NZ.

The crowd mostly moved across from the Six Month Club, but it was increasingly multi-racial as the South Auckland crowds arrived, lured by the more underground Black American 12"s we were playing. For a while, too, Simon Le Bon virtually lived there for a while and hassled me continuously to play Duran Duran records, which, of course, I didn't.

It all came to pieces in June when, deciding, I wanted to be more than a simple DJ, after being turned down as a full partner by Peter and Mark ('the worst decision we ever made': Mark Philips) I jumped ship with Tom Sampson & Roger Perry, and opened up in competition (see below).

If you want to hear the soundtrack of The Brat, track down our Eight Arms to Hold You collection....7000 copies sold in 3 months! Four singles off it went top twenty, which was a testament to how powerful the inner city club scene had become.

After we left, the space was, for a short time, reinvented at Mantrap by Peter Grace & Daniel Barnes, using some bloke from Hong Kong as a DJ, but the crowd had largely moved on to The Asylum.

The Asylum (currently the soon to be demolished PowerStation, 1986-87)

Tom Sampson and myself took over the nights at The Galaxy in Mount Eden Road that were free when it wasn't being used as a live venue, and put a dance club in there, with DJ Roger Perry jumping on board (he'd just left Russell Crowe's club, The Venue - yes that Russell Crowe) to spin with me. In a way I was the pupil as Roger was, as a teenager, the most accomplished DJ in Auckland and his mixing skills were second to none. Thus it became the first club in NZ where contemporary music was mixed as we know these days, from the beginning to the end of the night.

It was a huge impersonal cavern of a room so it was quite a challenge. We painted the stage bright blue and built stairs and an attachable fence (it allowed those on the stage to be on show...something most clubs need still). We also built a stairway down from the upstairs baloncy to the stage, thus allowing people to wander straight from the upstairs balconies to the floor...also on show. The PA, once again, from Oceania, was the same one we hired out to bands when the place was booked for them, as was the lighting show (thus we made a profit whether it was a band night or and Asylum night).

We announced which nights we were to open as The Asylum each week with a simple ad in the paper, saying something like "Asylum Friday" or "Asylum All Weekend", plus a couple of radio ads on bFm and that was all it took.

The opening night, in August 1986, was the biggest club night I'd ever seen in NZ, with queues right up Mt Eden Rd.

Thereafter it was pretty much packed with the beautiful and the cool, at least 1000 going through each night. It worked partially because it was playing music that no-one else in the country would go near, and partially because it wasn't always on...it was irregular depending on which bands had booked the cavernous space. And like The Brat, it was one of the first clubs that had no colour or race barriers, so the crowd came from south, west, north, east and central Auckland...and happily mixed. Our door policy was simple (and strictly enforced by Tom and our door-bitch, Jay) - if you understood, you were in, and they queued to do so whenever we opened the doors.

New Years Eve 1986/7 was absolute mayhem with god knows how many 1000s being turned away by an overworked Tom who always had his work cut out overseeing the door. especailly as some the doormen hired by Phil Warren and Don Lilian left something to be desired. I recall Tom yelling at one: "You never hit anyone!'.

Roger and I also managed to persuade bFM to give us a radio show, Asylum FM, on Saturday afternoons - New Zealand's first dance radio show, much to the dismay of the bFM mafia who stood outside the studio and sneered at the "disco" we were playing.

Simple, functional, very loud with a mix of contemporary hip hop, soul, Def Jam, pop and this new sound that Roger and I became hooked on. It was called house music, and the Asylum can claim to be the place where house music and started in New Zealand, iniating the explosion that followed thereafter. That is, when the turntables didn't jump....

The first house record playing in NZ was a copy of Love Can't Turn Around, by Farley 'Jackmaster' Funk, towards the end of 1986. We had somehow talked a record shop in Manchester into giving us an account..we transfered cas to them and they sent us their reccommded tunes...about ten 12" a forthnight, thus we ended up with all these strange records on labels like DJ International and Trax.

And so it began....

The Playground (51 Nelson St, 1987-88)

The guys that owned The Galaxy (Phil Warren & Don Lillian who we still maintained the greatest respect for) had started hassling Tom & myself for a bigger cut of the door money (they already had the bar return), which we were unhappy about, so when Mark Phillips offered us the old Brat space for a club (they had moved upstairs to open the now legendary Le Bom Restaurant) it seemed smart to grab Roger and move.

Phil and Don kept the name The Asylum but it was, apart from a few tourists, pretty much deserted after we left.

We spent about a month renovating the new place and ended up back downstairs in Nelson St, with the coolest DJ booth Auckland has ever seen (private rooms, couches, a fridge and a private party every night) and the crowd, en-mass, from the Asylum. We painted the place black with massive white upside down letters spelling "playground" that made it look rather cool in a minimal way.

Crazy times, an even bigger PA, and an ever swelling crowd. We were more uncompromising with the music (although Roger did a regular turn dropping Rick Astley which mixed perefectly from Alexander O'Neal!), mostly house and hip hop, some quite raw and VERY loud. We had, for a while, the first club lasers in NZ and the hole above the dance floor allowed the casual observer on the first floor to be a voyeur of the swelling dancefloor masses.

Tom stayed on the door, with our new doorman, Selwyn, who did know what we were trying to achieve, and our door-bitch (yes, I know it's un-pc but that's what they were called and they had ultimate power) was now Wellington writer of some note, Linda Niccol.

It came to an end about a year later. Peter and Mark had had a fight with their partner and moved on (hosting Auckland's first dance parties across the road in Nelson Street, which were duly raided by the cops), then the partner decided that he didn't need us either and tried to move us on. Our last two weekends were host to over seven thousand people, and we quit, ripped off to the tune of many thousands by the lawyers who owned the place.

They also said they owned the name. Fine said we, we've had our time with it and were happy to walk away from the place.

It turned out reallythey did need us, the ten or so confused looking people the next weekend never returning. A great club and bar complex killed by greed and stupidity....

There's more to a club than a name.

Shortly afterwards we were approached by an old Maori bloke who told us the place was tapu, due to a very large piece of greenstone underneath, hence the way it was jinxed. You never know.

Today, however, the space is the Montecristo Room underneath Toto Restaurant. It's used for a variety of events, and the big hole in the floor that allowed people to look down on the dancefloor, which was one of the space's strengths. That aside, it looks pretty much the same down to the paint licks on the wall that haven't been covered since 1987.

page two...Berlin & The Siren